Austin has a medical condition marked by extreme brittleness of the long bones and a bluish colour of the whites of the eyes. He has also inherited Autism, probably from his father.

The movie only anticipates some outcomes that are consonant with respect to the “catholic” (inclusive, all-embracing) direction that Jorge Bergoglio imprinted on the Roman Catholic Church.

Silence in the midst of suffering is not a judgment of condemnation, but a purification of faith.

Pilar Palomero's films reflect a deep longing for answers to life's big questions, but her melancholic approach stays in the search, without reaching a conclusion.

It is curious how cinema dialogues with time. Francis Ford Coppola’s film is about the future, yes, but it has its roots in a work written more than two thousand years ago.

In The Rings of Power it is not clear where the evil comes from. A much deeper presentation of the problem than the classic pagan vision of an eternal, impersonal force that simply exists to oppose good.

The goal of preaching, theologically, is not just to learn about God, but to encounter Him, to enjoy Him, and be united to Him. 

A Thomist answer and a preliminary evangelical critique.

When we assess evil, we always take the position of the judge who observes what is happening. Our problem is that our criteria are always flawed.

The public image of Spain is damaged by the lack of response to the discrimination of pastors without a pension, explains the secretary general of the Spanish Evangelical Alliance.

We can allow a certain amount of loathing, as the author of Ecclesiastes did, but we must always progress towards hope.

Cass opens up the space for some fascinating missional conversations about dignity, care, respect, bodies and reality, deep discussions on what it means to be human.

We are finally witnessing a complex and adult work, which cannot be reduced to the simplistic schemes to which victimhood seems to have condemned us lately.

David Fincher's film showed us the reality of life in a broken world, where we can neither be known, nor fully forgiven. Only supernatural work will do that.

What the recent films ‘Anatomy Of A Fall’, ‘The Zone Of Interest’ and ‘Fallen Leaves’ tell us about marriage.

The idea of spending a lifetime with the same person is increasingly surprising when it comes to marriage. The surprise, however, cannot hide our longings.

A review of Poor Things, film by Yorgos Lanthimos.

A review of Jonathan Glazer's film The Zone of Interest.

Blocher dissects the internal structure of Catholic ecclesiology and tries to grasp the connections that legitimize Rome’s high view of itself and its inflated prerogatives.

Suffering is experienced in different ways according to the assumptions that each human being holds. A commentary on the film by Spanish director Juan Antonio Bayona.

The people who walked in darkness, with a leader like Napoleon, remained in darkness.

Large-scale AI systems consume enormous amounts of energy. Yet the material details of those costs remain vague in the social imagination.

Church provides a community that doesn’t disappear when the lights come up, but one that is set to walk with you through life’s joys and hardships.

We live in a peculiar culture – utterly different to the classical world of ancient times, different to undemocratic nations, different to theocracies as well. Why?

“Rapito” was presented at the 2023 Cannes Festival. It tells the true story of Edgardo Mortara, a Jewish boy from Bologna, who was kidnapped from his family in 1858 and taken to a Catholic boarding school by order of the Inquisition court.