“Doctors and nurses are also victims of abortion”, says Patricia Sandoval, who worked as a nurse in a Planned Parenthood clinic. “I found Jesus and his forgiveness.”
Boshra is on of the producers of a series on Christians in the country. He aims to “highlight our struggles and show who we are.”
The latest film by the Coen brothers, “Hail, Caesar!” presents us with the problem of the ministry of the gospel on screen: how to see in order to believe.
Doug Marshall (IAFR) shares about the situation of refugees in Malta. “I would challenge the political right [in Europe] to be a little bit more engaging. Especially if they claim to be Christian right.”
“There is no dichotomy between doctrinal content and relationship”, pastor Mark Stirling says.
Ewan McGregor plays both Jesus and the Devil in Rodrigo Garcia's film about the final few days in the wilderness. “It was done with nothing but respect and passion”, the Scottish actor says.
A survey shows that, for the first time ever, there are more in Norway who say they don’t believe in God than those who say they do.
Did Jesus know about his trial, death and resurrection? Did it take him by surprise? Will Graham answers some questions about a week that changed the world.
What basic ideas do members of churches in Europe need to know when relating to refugees who have gone through traumatic experiences? Marion Knell (Global Member Care Network) gives some insights.
The scientist and theologian believes that Galileo’s story has been distorted, and accuses Dawkins of “staining science.” An interview published in Spain’s El País.
“Christians should affect destinies, not just modify current circumstances”, says Jenn Brown, member of OneHope. The organisation develops programs and tools to contextualise the Bible for children in different cultures.
Director of Jubilee Centre Jonathan Tame believes the main themes of the campaign should be analysed from a relational point of view.
A Spanish evangelical church brought 3,500 pairs of shoes to a Croatian refugee camp. “People are relieved but also disappointed, they have not found the open arms they expected from Europe.”
Political and cultural changes are happening in Taiwan. Christians (4.5 per cent of population) should better reach out to young people, believes Michael Dixon, an English teacher who has lived in the island for more than 20 years.
How are traumatic experiences affecting refugees years after arriving to their destination? What can churches do? Marion Knell (Global Member Care and Redcliffe College) answers these and other questions.
“The main challenge is that non-evangelical Europeans feel that the gospel has been tried and found insufficient, that it is too simplistic for a complex and sophisticated society”, says American missionary Steve Mann after working in Europe for 30 years.
“Refugees need to learn the language, and how to survive in the society to which they arrived”, says Vimal Vimalasekaran, a former Tamil refugee. He now works among asylum seekers in Germany.
In “Mia Madre”, the director Nanni Moretti offers a personal description of the bewilderment caused by the disorder in the world.
How should we integrate asylum seekers coming to Europe? Vimal Vimalasekaran (European Christian Mission) shares his story as a former refugee and gives answers.
Jim Memory (European Christian Mission) on the ‘Brexit’ campaign in the UK: “Peace and open borders of today’s Europe are a huge opportunity for the gospel.”
“Nobody is your friend, nobody can feel what you feel and what you have left behind you… you need ears that listen to you.” M. tells her story as a refugee.
“Spotlight” wins Oscar for Best Movie without falling into morbid sensationalism. The film makes us face up to a truth the religious audience does not want to hear.
What has been happening in Calais in the last few months? What are the risks for the refugees living in these camps? What are churches doing to help? Paul Sydnor (International Association for Refugees) answers to some of the burning questions.
“Return to Ithaca”, by the French director Laurent Cantet, portrays a weariness of life, but also a sense of anger, which goes beyond disillusionment.
After surviving her own journey, Zinash Witsel supports other people arriving to Europe. “I try and help them as best as I can, because I know how it feels to be a refugee.”
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